Courtesy of a special feature in the MIDWEEK REVIEW in the Island …. http://www.island.lk/index.php?page_cat=article-details&page=article-details&code_title=119737 [1]
I: “Siri Gunasinghe — A Reminiscence” …. by H. L. Seneviratne, 17 February 2015
One of the semi official tasks that the University of Ceylon undertook as it established itself in the new campus at Peradeniya in the early 1950s, was the regeneration of national culture in the form of the arts. This was reflected in a seminar held at Peradeniya in 1956, whose proceedings were published in the same year under the title Traditional Sinhalese Culture. Prominent among the scholars who succeeded in that endeavour were Siri Gunasinghe and Ediriweera Sarachchandra. While Sarachchandra’s work was confined to literature and drama, Siri Gunasinghe stood out for his versatility, his interests covering every field of the arts. So much so that his adversaries who had embraced a different kind of cultural resurgence – a militant, prudish and philistine Sinhala Buddhist nationalism—derisively called him sakalakalavallabha, “the husband of all the arts”. Continue reading










