Rohan de Soysa,copy of a PowerPoint Presentation made to the National Trust of Sri Lanka on September 29, 2016 by Rohan de Soysa transcribed into text format …. with coloured underlining [as distinct from that in black] being emphasis imposed by The Editor, Thuppahi
The Origins: The `43 Group was the first modern art movement in Sri Lanka. It arose because a group of artists felt that the art being practiced and taught at the time was too academic and rigid; nor did it attempt to follow new developments in European art since the early 20th Century. They therefore decided to form a group more open to these new developments but with a distinct Ceylonese stamp and flavour.
“When Shukra Munawwar excelled in the Sri Lankan version of “Who Wants to be a Millionaire’ on a local TV channel, the 17 year old schoolgirl from the South of Sri Lanka, brought all Sri Lankans together in one joyous celebration.BIt was not just her sincerity, her candid and cheerful demeanor that captured the hearts across religious and ethnic divides. It was her story, her talent, her skill and her determination.
Michael Roberts, inSri Lanka Guardian, 12 September 2011
Early in September [2011] I circulated an item describing efforts mounted by private enterprise in cooperation with the Sri Lankan state (military as well as government agents) to alleviate the life world of Tamil people being re-settled in the northern Vanni – a continuation of efforts in the IDP camps at Menik Farm in 2009 – through the establishment of psycho-social units working on the mental health of children in particular. Clearly, this note and its documents were part of the empirical terrain relevant to the propaganda war raging since early 2009.
My focus was on the ideologies permeating the thinking of Sinhala-speaking people over the centuries. It is my speculation that similar deep structures permeate the thinking of Tamil-speaking people in Sri Lanka and India; and for that matter, mutatis mutandis, most of the people in India. It will call for a brave Tamil scholar to investigate and disclose this phenomenon today.
An Accidental Encounter …. and An Illuminating Outcome
When I was in Sri Lanka at some point in the late 1990s on research work, my cricketing links with such individuals as PI Pieris and Michael Tissera encouraged me to take in some of the international cricket matches taking place in the capital city of Colombo. On one occasion I witnessed a match at the Khettarama Stadium where Sri Lanka A took on a West Indian side. I was in the BCCSL section at midwicket where the spectators were few and quite interspersed. I heard an elderly gentleman behind me explaining some of the finer points of the unfolding match to his wife beside him. At one point I turned round and amiably indicated that he understood the finer points of cricket. It turned out that he was a venerable lawyer from Kandy named Kshemananda Sangakkara. Kshema and Kumari Sangakkara were watching their son Kumar playing for the A team.
It is with profound sadness that I write this appreciation of my dear friend, Philip Fernando, who departed from us on January 14. He hailed from Koralawella Moratuwa, the son of Cyril and Anne Fernando.
Neville Weeraratne, being Chapter IX in his opus, entitled “Collette’s Cullings. The satirist’s fine line”
COLLETTE: Cartoon comment in the Observer following a ‘43 Group exhibition.
Everybody enjoyed Aubrey Collette’s work though he would not have satisfied every political aspiration. You turned to him for your reading of the day, originally in the Times of Ceylon, later in the Observer, and then as ‘Spur’ in a series he did for the Daily News as well. He gave a sharp edge to his drawing which, indeed, was capable of cutting deeply but never maliciously. Collette had the rare and splendid gift of observation: to remember a foible, to swiftly size up a characteristic, and enjoy having summed up the hapless one who had fortuitously wandered into his sights. To have been noticed by Collette was itself honour enough, and those who had been so distinguished by a portrait, as in Collette’s 1954 FACES – a collection of seventy-three pastel studies – soon bought them up, more for the immortality it conferred on them than for the fear of what their enemies might make of the caricatures. Collette very simply had the gift of showing some how others saw them, bestowing upon them the poet’s wish. You might have rejected these insights as subjective had you not yourself been drawn inevitably into the process of assessing the subject.
Mannar Unbound is a photographic documentation of wildlife and archaeological ruins of Mannar. The book is the result of over five years of fieldwork stretching across various seasons during which places were visited and then revisited in order to get the perfect shot……………………. .Dec 16, 2018
Mannar is a sand island perched on a limestone base. The hydraulic pressure of the groundwater in the kulamskeeps the sea water from intruding. As significant areas of Mannar Island are targeted for mineral sand mining, working to a depth of 12 metres, the result will be widespread sea water intrusion which will then contaminate the groundwater supplies –promoting the destruction of agricultural livelihoods.
Clarence Shelton Anthony Pererawas a member of the 1st batch of Ceylonese to join the RAF. As per the only ATA record available he has first served in the RAF from September 1941 to January 1943. He has left the service as a LAC. He then in April 1943 joined as a Pilot Cadet in the Air Transport Auxillary (ATA), a civilian organisation ferrying aircraft for the RAF and Fleet Air Arm of the Royal Navy ” — Charles AmarasekereContinue reading →
Since the ancient times Coconuts have become so closely linked with every Sri Lankan cuisine! Coconuts have become a part and partial of Sri Lankan cooking. Later on due to this deep bond with this versatile crop, the coconut tree became well known as the “Kapruka“ on earth ( “Kapruka” is a mythical tree which is known to be in the heavens where it is believed to be a wishing tree that grant every wish & abundance of wealth).
