Rohan de Soysa,copy of a PowerPoint Presentation made to the National Trust of Sri Lanka on September 29, 2016 by Rohan de Soysa transcribed into text format …. with coloured underlining [as distinct from that in black] being emphasis imposed by The Editor, Thuppahi
The Origins: The `43 Group was the first modern art movement in Sri Lanka. It arose because a group of artists felt that the art being practiced and taught at the time was too academic and rigid; nor did it attempt to follow new developments in European art since the early 20th Century. They therefore decided to form a group more open to these new developments but with a distinct Ceylonese stamp and flavour.
England batting vs Sri Lanka at Galle in the Second Test, late January 2021
ZAK CRAWLEY = ct Tirimanne b Embuldeniya …… 05
7.1 edged and gone straightaway! No sighters to Crawley! An impeccable left-armer’s dismissal, round the wicket, angled in and dipping on an off-stump line, biting sharply to kiss the edge, and a simple snick to the lurking slip! Big problems at the top of the order for England. And big problems for the foreseeable in this innings! 5/2
In moving from a pictorial depiction of the parental and local urban background where Kumar Sangakkara has been nurtured, to a photographic ‘sketch’ of his cricketing endeavours, it will be easy for readers to forget the dangerous Sri Lankan circumstances hanging over the cricketing scenario within Sri Lanka in the period when Kumar strode on to the field in Sri Lankan colours – from the mid-1990s. These were the sporadically continuous dangers hanging over the urban and rural byways around Colombo and Kandy as a result of the Eelam Wars and the capacity displayed by the Tamil Tigers in mounting suicide assassinations as well as massive blasts directed at high-profile urban targets.
Tiger Bombing of the Central Bank in the Fort, Colombo, 31 January 1996
An Accidental Encounter …. and An Illuminating Outcome
When I was in Sri Lanka at some point in the late 1990s on research work, my cricketing links with such individuals as PI Pieris and Michael Tissera encouraged me to take in some of the international cricket matches taking place in the capital city of Colombo. On one occasion I witnessed a match at the Khettarama Stadium where Sri Lanka A took on a West Indian side. I was in the BCCSL section at midwicket where the spectators were few and quite interspersed. I heard an elderly gentleman behind me explaining some of the finer points of the unfolding match to his wife beside him. At one point I turned round and amiably indicated that he understood the finer points of cricket. It turned out that he was a venerable lawyer from Kandy named Kshemananda Sangakkara. Kshema and Kumari Sangakkara were watching their son Kumar playing for the A team.
COLLETTE: Cartoon comment in the Observer following a ‘43 Group exhibition.
Everybody enjoyed Aubrey Collette’s work though he would not have satisfied every political aspiration. You turned to him for your reading of the day, originally in the Times of Ceylon, later in the Observer, and then as ‘Spur’ in a series he did for the Daily News as well. He gave a sharp edge to his drawing which, indeed, was capable of cutting deeply but never maliciously. Collette had the rare and splendid gift of observation: to remember a foible, to swiftly size up a characteristic, and enjoy having summed up the hapless one who had fortuitously wandered into his sights. To have been noticed by Collette was itself honour enough, and those who had been so distinguished by a portrait, as in Collette’s 1954 FACES – a collection of seventy-three pastel studies – soon bought them up, more for the immortality it conferred on them than for the fear of what their enemies might make of the caricatures. Collette very simply had the gift of showing some how others saw them, bestowing upon them the poet’s wish. You might have rejected these insights as subjective had you not yourself been drawn inevitably into the process of assessing the subject.
Michael Atherton, in The Times, 13 January 2021, where the title runs thus: “Sri Lanka v England: Sultry contest offers a beautiful distraction”
There will be a wistful feeling for those looking on during the early, dark, dismal hours in England. The venue for the two Tests in Sri Lanka is Galle, the delightful city on the southern tip of the island, and home to one of the most atmospheric cricket grounds on the international circuit. Of all the touring destinations, it remains among the most cherished for England supporters planning a winter break.
Spectators look on from the fort during the 2001 series between the sides
Clarence Shelton Anthony Pererawas a member of the 1st batch of Ceylonese to join the RAF. As per the only ATA record available he has first served in the RAF from September 1941 to January 1943. He has left the service as a LAC. He then in April 1943 joined as a Pilot Cadet in the Air Transport Auxillary (ATA), a civilian organisation ferrying aircraft for the RAF and Fleet Air Arm of the Royal Navy ” — Charles AmarasekereContinue reading →
Nicholas Brookes ….with highlighting emphasis added by The Editor, Thuppahi
On February 1947, a Ceylon Cricket Association XI was invited to play Southern India in Madras. It was a great moment for Ceylonese cricket. Everyone scored runs: Makkin Salih made 98, de Saram 42, Jayawickrema 52 and Heyn 66 – but no one remembers these innings. They were blown out of the water by a sublime 215 from Sathasivam, a new record at Chepauk and according to many, the best innings ever played at the ground. Bertie Wijesinha, who made his first-class debut in the game, later wrote ‘Sathasivam wafted his magic blade and carved out a work of art’. Sport is often described as performance, but rarely has the term been more apt. Satha played for the crowd. His was a batsmanship elevated beyond the mere making of runs.
Thuppahi's Blog · This web site presents the interventions of MICHAEL ROBERTS in the public realm with reference to Sri Lankan political affairs. It will embrace the politics of cricket as well. ROBERTS was educated at St. Aloysius College in Galle and the universities of Peradeniya and Oxford. He taught History at Peradeniya University and Anthropology at Adelaide university. He is now retired and lives in Adelaide.