Category Archives: British colonialism
Professor Marnie Hughes-Warrington to speak on THE ETHICS of HISTORY and thus promote a Live Discussion, 14 April 2021, courtesy of Merton College, Oxford
Since the pandemic began, we have adapted our events programme to move online, and we are pleased to announce that our next 40 Years Series online lecture, a part of our Merton Women: 40 Years celebrations, will be airing live at a time more suitable for our alumni in Asia, Australasia and the Pacific.
Recent Essays of Some Significance
- “Anatomy of an Islamist Infamy -II,” in Colombo Telegraph, 6 May 2019, reprinted in Thuppahi as ““How Extremisms have fed off Each Other in Sri Lanka, 1950s-to-2019 …. and still proceeding”, 6 May 2019, https://thuppahi.wordpress.com/2019/05/06/how-extremisms-have-fed-off-each-other-in-sri-lanka-1950s-to-2019-and-still-proceeding/
- “The Transformation of Muslim Politics in Sri Lanka and the Growth of Wahhabism from the 1980s,” 5 May 2019, https://thuppahi.wordpress.com/2019/05/05/the-transformation-of-muslim-politics-in-sri-lanka-and-the-growth-of-wahhabism-from-the-1980s/
LIST OF PUBLICATIONS as set out in Wikipedia, …. https://en.wikipedia.org/wiki/Ameer_Ali_(academic) …. clearly not updated
Ali, A. (2016) From Islamophobia to Westophobia: The long road to radical Islamism. Journal of Asian Security and International Affairs, 3 (1). pp. 1-19.
I enjoyed reading Michael Roberts’s short essay titled “Michael’s Testimony for VE Day in Britain, 8th May 1945,” published at Thuppahi on 10 May 2020. But I felt the story ended too quickly, leaving me to ponder where the story goes next. It would be good if Michael could continue this story. In the meantime, the following short note was triggered by Michael’s comment about the “insidious impact of Movietone News or Pathe News.”
After 3 September 1939, when Britain went to war with Germany, the British Ministry of Information (MOI) began arranging with numerous companies the release and distribution of their newsreels. One example was The Battle of Tobruk which was sent by plane to Colombo in March 1941. It was cleared through customs and distributed to cinemas in Colombo in time for screening at the evening shows on the same day the film arrived in Ceylon.
Shihan de Silva Jayasuriya of the University of London has been researching the Portuguese in the East for over twenty years and has generated a significant number of studies on Portuguese Creole peoples, their life-style ad languages in Sri Lanka and elsewhere. Her output of work has been as varied as commendable and I begin with a summary of one article dealing with “a nineteenth-century manuscript in Sri Lankan Portuguese Creole” because i am presently fashioning an article that refers to the work of Hugh Nevill on the Kāberi Hatana in order to ‘educate’ those who have touched on African slave labour at Galle without possessing any background information on the topic. This essay is in process and will appear soon….. Michael Roberts
A Question from one Sanjay Gunawardena, 12 February 2021:
“Thank you for this great article Dr Roberts.[i] Has anyone got a picture or a painting of the Old Windmill which has been in the Galle Fort. This has been mentioned E.F.C Ludowyk’s book Long Afternoons in Colonial Ceylon. If you can please share an image, it will be much appreciated. Thank you.
A Response from Hemantha Situge: “Lyn Ludo says the windmill was one of the five landmarks that crowned the Fort. It was erected during British times. I have seen two photographs which I have not copied.”[ii]
My recent presentation of amateur photographs of the renovations that were being carried out on the Galle ramparts in July-August 2020 encouraged some comments from Bunchy Rahuman and Ashley de Vos amongst others, with the latter objecting strongly to what he terms “the gentrification” of the Galle Fort. That important issue will be taken up soon in Thuppahi; but the exchange has generated a striking photograph of the “old light house” sited on the bastion.at the south-west corner of the Fort — courtesy of Bunchy.
One day in 1996 our doorbell rang at Woodlark Grove in the suburb of Glenalta in Adelaide . …. And there was Joe Hoad with two paintings he had composed in celebration of Sri Lanka’s triumph at the World Cup earlier in the year. These products had not been commissioned. They were self-inspired and emanated from his profound joy at the manner in which a little island nation – one that was not unlike his own birthplace of Barbados – had tamed a powerful cricketing force that was a bullyboy in the cricketing politics of the 1990s.
This photograph taken there and then in our back garden marks the moment of the gifting ….. appropriately within an Australian backdrop of the bushfire danger kind. But, unlike that landscape, the paintings are unique. To my mind they are heirlooms. In conjunction with Verite Research and Shamara Wettimuny, I have approached the National Library Services Board in Colombo with the suggestion that they should be placed within its portals in public display with a suitable plaque.