Category Archives: photography
Mannar Unbound is a photographic documentation of wildlife and archaeological ruins of Mannar. The book is the result of over five years of fieldwork stretching across various seasons during which places were visited and then revisited in order to get the perfect shot……………………. .Dec 16, 2018
Uditha Jinadasa Interviewed by Doreen van den Boogaart & Luc Bulten
In the Spring of 2020 Dr. Uditha Jinadasa defended her dissertation ‘Changes in the Cultural Landscape and their Impacts on Heritage Management: A Study of Dutch Fort at Galle, Sri Lanka’ and earned her PhD from the Faculty of Archaeology, Leiden University. The fortified town of Galle is a living heritage city, but this status is threated by gentrification. Dr. Jinadasa researched what has happened to the architecture, demography, economy, and city culture since the Fort has become UNESCO World Heritage in 1988. Luc Bulten and Doreen van den Boogaart, young ambassadors of the Netherlands Sri Lanka Foundation, interviewed her about her thesis and her view on heritage management in Sri Lanka.
Andrew Fidel Fernando, in The Cricket Monthly at ESPN, in 2014, where the title is “The lost boys of Jaffna” … [with two ‘contemporary’ Pix added by the Editor, and some highlighting of the text imposed ….. Thuppahi]
Ruhunu Putra, in THE ISLAND, 2o November 2020, where the title is “Historical Glance at Galle”
Galle is the capital of the Southern Province. The popular derivation of its name is from the Sinhala word Gaala – a cattle pen. The mighty king Ravana’s cattle pen had extended from the present day Mahapola premises to the Town Hall, according to legend. Galle is also considered to be the Tarshish in the Bible. It is reputed for cottage-crafts, lace making, tortoise shell work, gem polishing, ivory carving, jewellery and ornamental ebony elephants.
Anura Gunasekera, in Sunday Island, 9 November 2020, where the title reads “The Quintessential Bond and the Quintessential Scot””
As a teen my introduction to James Bond was “Casino Royale”, a tattered paperback copy bought second-hand, for a few rupees, from the Bethel Book shop in Dehiwala. The cover image depicted the full figure of a curvy female in distress, overshadowed by the head and shoulders of a cruelly handsome, steely-eyed male, hair artfully disheveled, forelock falling across the forehead, and the Walther PPK ready for action. With an uncanny prescience, the cover designer had captured the key ingredients that subsequently built the film franchise.