Category Archives: photography

Galle Cricket Grounds: Tsunamied……. !!!

 

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Galle Fort and Cricket Grounds: Overviews and ‘Ancient’ Views

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Mannar and Its Surrounds: Stunning Wild Life and Landscapes 

Nadika HapuarachchiTamara FernandoThilak JayaratneJanaka Gallangoda in MANNAR UNBOUND 2018

Mannar Unbound is a photographic documentation of wildlife and archaeological ruins of Mannar. The book is the result of over five years of fieldwork stretching across various seasons during which places were visited and then revisited in order to get the perfect shot……………………. .Dec 16, 2018

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Two Horrendous Assassinations

THUPPAHI darkens our entry into The YEAR 2021 and its Cumulus Cloud of COVID with two pictorial memories of two horrendous acts of political assassination by Pirapaharan and the Tamil Tigers ….. that of Rajiv Gandhi in 1991 and Neelan Tiruchelvam in 1999 …. with the roadside memorial painting at the junction of Rosmead Place and Kynsey Terrace where the LTTE’s female suicide killer ended Neelan’s life on earth (as he headed for his office) marking the moment …. albeit in temporary modality …. WHILE conveying an everlasting message.

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Epitaphs for War Heroes: The Kranji War Memorial in Singapore

Athanasios Tsakonas has produced a book on the Kranji War Memorial in Singapore entitled In Honour of War Heroes: Colin St Clair Oakes and the Design of Kranji War Memorial ….

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Galle Fort: A Heritage Site under Threat from Gentrification?

Uditha Jinadasa   Interviewed  by Doreen van den Boogaart & Luc Bulten

In the Spring of 2020 Dr. Uditha Jinadasa defended her dissertation ‘Changes in the Cultural Landscape and their Impacts on Heritage Management: A Study of Dutch Fort at Galle, Sri Lanka’ and earned her PhD from the Faculty of Archaeology, Leiden University. The fortified town of Galle is a living heritage city, but this status is threated by gentrification. Dr. Jinadasa researched what has happened to the architecture, demography, economy, and city culture since the Fort has become UNESCO World Heritage in 1988. Luc Bulten and Doreen van den Boogaart, young ambassadors of the Netherlands Sri Lanka Foundation, interviewed her about her thesis and her view on heritage management in Sri Lanka.

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Gubernatorial Pics: Governor Monck Mason-Moore in the 1940s

Somadasa Abeywickrama
Governor Henry Monk Mason with Lord Mountbatten Galle Face 1945

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Cricketing Talent Denied: Derelict in the Jaffna Peninsula, 1980s Onward

Andrew Fidel Fernando, in The Cricket Monthly at ESPN, in 2014, where the title is “The lost boys of Jaffna” … [with two ‘contemporary’ Pix added by the Editor, and some highlighting of the text imposed ….. Thuppahi]

Amid the gunshots and landmines of Sri Lanka’s 26-year civil war, cricket managed to stay alive. The first time M Kandeepan visited the emigration centre in his city in 1993, the man in combat gear behind the desk asked why he wanted to leave.
“I want to go and play cricket.””Play cricket where? In Colombo? You want to play for Sri Lanka?””Yes, because I am in Sri Lanka.””You lie. This is Tamil Eelam. You’re not going anywhere.”

    Tiger “boys’ guarding the shoreline …maybe early 1990s Kids play on the St John’s cricket ground in Jaffna, 2014

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Galle: Basic Facts ….. Historical, General and Pacha

Ruhunu Putra, in THE ISLAND, 2o  November 2020, where the title is “Historical Glance at Galle”

Galle is the capital of the Southern Province. The popular derivation of its name is from the Sinhala word Gaala – a cattle pen. The mighty king Ravana’s cattle pen had extended from the present day Mahapola premises to the Town Hall, according to legend.  Galle is also considered to be the Tarshish in the Bible. It is reputed for cottage-crafts, lace making, tortoise shell work, gem polishing, ivory carving, jewellery and ornamental ebony elephants.

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Remembering Sean Connery…. the Quintessential James Bond

Anura Gunasekera, in Sunday Island, 9 November 2020, where the title reads  “The Quintessential Bond and the Quintessential Scot”” 

As a teen my introduction to James Bond was “Casino Royale”, a tattered paperback copy bought second-hand, for a few rupees, from the Bethel Book shop in Dehiwala. The cover image depicted the full figure of a curvy female in distress, overshadowed by the head and shoulders of a cruelly handsome, steely-eyed male, hair artfully disheveled, forelock falling across the forehead, and the Walther PPK ready for action. With an uncanny prescience, the cover designer had captured the key ingredients that subsequently built the film franchise.

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