Jean faces Smrti 
Daniel 1: What in your childhood contributed to the kind of writer you are now? What recurring motifs and images from that time find expression in your work?
JEAN1: So many factors. As I delve into my mind those images together with the diverse motifs that were part of each and every experience of my childhood. I was greatly loved and cared for by my parents and had aunts and uncles who played an important part in the lives of my brother and sister (I was the youngest) and showered us with gifts, especially books, from a very early age. My parents too read a great deal and the houses we lived in were full of books – of course the individual tastes of my parents were reflected in their reading choices. My father loved reading on everything under the sun, sport, Big Game, hunters and hunting, colonial history and landmark figures, discovery and exploration, plantations and the lives of planters in Ceylon (many of them were his friends), reminiscences, biographies, autobiographies, explorers, wars, the jungle lore of Ceylon … So much and so much, while my mother read a great deal of romantic fiction. She had a great store of memories too and would relate very adult stories to me (in between it was Hans Christian Andersen, the Grimm Brothers, fairy tales, family history where she unfolded hidden narratives which penetrated my mind and which I have reconstructed into greater dimensions to trace our lineage and bloodlines – so everything, now that I look on it all, began in my childhood, as being the youngest I was closest to them while my brother was at College, and my sister too spent more time at school (Wesley and Trinity, later the University of Colombo for my brother, and Girls’ High School for my sister). It would take reams and reams to write about just this one aspect of my childhood. There are other aspects too – the freedoms I enjoyed when I was growing up in the provincial township of Kadugannawa, living in that house on the hill. Continue reading →
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