Rukshani Weerasooriya, in RoarMedia, 4 December 2016, where the title is “The Paynter Behind Some Of Sri Lanka’s Finest Art”** … with highlighting imposed by The Editor, Thuppahi
The Transfiguration. Image credit: shehansilva.wordpress.comThe chapel at S. Thomas’ College Mount Lavinia is, without exaggeration, the finest feature of the school premises. Displaying Byzantine (Later Roman) architecture, the limestone structure is both stately and imposing. But anyone with even a little exposure to S. Thomas’ College will know that it is the contents of the Chapel, and not simply its structural elegance, that gives it its value. Dedicated in 1927 to the Transfiguration of the Lord Jesus Christ, the Chapel, with its high and wide nave, its great roof-beams and solid pillars, is known as the ‘Chapel of the Transfiguration.’ The word “transfiguration” means to be spiritually transformed or metamorphosed. It is a phenomenon which is hard (if not impossible) to describe in words, much harder still, to depict in art. But when you walk through the great arched doorway of the Chapel of the Transfiguration and into the sanctuary, you will be faced with a vast and powerful image, spanning across its east wall, behind the altar, which captures, by its astonishing simplicity, the essence of the transfiguration.
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Tabraiz Shamsi bowls with his left hand and distracts the batsman with his right
