Romila Thapar & Sri Lanka’s Heritage in Today’s Dismal Context

Uditha Devapriya

On Thursday, the 27th of January, Professor Romila Thapar will deliver the Dr Roland Silva Memorial Lecture to the National Trust of Sri Lanka. Professor Thapar will be speaking about the museum in India, charting its evolution from private collections to public displays and placing it in the context of similar institutions from other colonial societies.





Museums formed a crucial part of the colonial project, aiding administrators, officials, scholars, as well as nationalist elites in their reconstructions of the countries they lived in and governed. Not surprisingly, independent statehood changed the role of such institutions. Professor Thapar will be discussing this aspect too, along with the potential of museums to bring the historian and the social scientist together.

The event will be the 141st Monthly Lecture Session organised by the National Trust. Originally held on the last Thursday of every month at the HNB Auditorium, these sessions have brought in scholars from fields such as archaeology, architecture, and ornithology. The shift online during the COVID-19 pandemic did not bring them to a halt: while the organisers held 10 lectures in 2019, they held eight online sessions in 2020 and another 10 in 2021. Since 2015, moreover, they have all been uploaded online, free for everyone.

The brainchild of two of Sri Lanka’s finest archaeologists and scholars, the National Trust of Sri Lanka celebrates its 17th anniversary this year. Its objectives include the identification, documentation, protection, and conservation of the country’s heritage, defined in terms of physical objects like historic buildings, monuments, artistic and cultural works, as well as intangible artefacts like rituals, customs, and beliefs. With this, it seeks to inculcate an interest in historical and cultural matters among ordinary people.

There it has more or less been doing what such organisations should be doing. The contemporary notion of a National Trust first came into being in late 19th century Britain, with the establishment of a National Trust for Places of Historic Interest or Natural Beauty. Founded as a not-for-profit association in 1895 and incorporated by an Act in 1907, it has since become the largest conservation charity in Europe. Its aim has not just been to save important sites from destruction, but also to open them up for public enjoyment. More than 125 years later, it has evolved into a fully-fledged institution, overseeing more than 500 historic sites, 250,000 hectares of land, and 780 miles of coastline.

Since then similar institutions have sprung up elsewhere. In India, a National Trust was established as a registered society in 1984. Today that country is home to more than one such society: the International National Trusts Organisation lists three, including the Indian Trust for Rural Heritage and Development. In other countries these organisations serve different functions: the Yangon Heritage Trust, for instance, focuses on urban heritage, while the Siam Society also focuses on the natural sciences. The INTO lists more than 80 of these institutions, emphasising their common inheritance.




Though the need for a National Trust had been felt for some time in Sri Lanka, nothing was done about it until Roland Silva and Senake Bandaranayake intervened in 2004. The concept papers reveal that a great deal of thought went into the founding of the organisation. Initially called the “Sri Lanka National Heritage Trust”, it was eventually named the National Trust for Cultural and Natural Heritage. These papers also tell us that much emphasis was placed on the notion of intangible cultural heritage, based on UNESCO’s classification of customs, traditions, and beliefs as enshrined in a landmark treaty, the Convention for the Safeguarding of the Intangible Cultural Heritage in 2003.

At its inception on May 27, 2005, the National Trust counted 11 founders, including Silva, Bandaranayake, and Ashley de Vos. To oversee its activities, seven Committees were formed; another Committee, to oversee the management of the society, came into being in 2010. Arguably the most important of these, the Scientific Committee, branched out to eight sub-Committees, dealing with areas such as monuments and sites, architectural conservation, and industrial heritage. These, not surprisingly, reflected the expertise of its founders; since their establishment they have brought together a wide group of scholars, from art historians and architects to musicologists and archaeologists.

Today the Trust engages in several activities, and not just lectures. In 2006 it organised a tour to the Botale Raja Maha Viharaya and various other sites in the area. Due to the pandemic, it has not undertaken any tours since 2019, when it sponsored a visit to Jaffna. It also took up several conservation projects, one of them involving the Portuguese Fort in Malwana and another Joseph Lawton’s photographs of national heritage sites. These, in turn, led to two audio-visual productions: an exploration into the history of Sinhala music, and a similar project about the evolution of music theatre in Sri Lanka.

Perhaps the Trust’s most important contribution has been its publications. About 20 of these have been done so far. Foraying into fields linked to history and the study of history, they have spurred interest among scholars and readers alike.

These titles include Senake Bandaranayake’s and Albert Dharmasiri’s Sri Lankan Painting in the 20th Century, Neville Weeraratne’s The Sculpture of Tissa Ranasinghe, Nishan Perera’s Coral Reefs of Sri Lanka, Gehan de Silva Wijeyaratne’s Birds of Sri Lanka, Nimal de Silva’s Heritage Buildings of Sri Lanka, and Shanti Jayewardene’s Geoffrey Manning Bawa: Decolonising Architecture. Available at leading bookshops, they underline the need to go beyond coffee table publications of general interest.

Elsewhere, National Trusts have become a gauge of a society’s intellectual activity. In that sense the Sri Lankan National Trust’s potential remains wide off the mark. Though its tours, lectures, and publications have doubtless contributed a great deal, they have not been met with enough interest. Ambitious and well received as they have been, they have not really gleaned a response commensurate with the Trust’s objectives.

In this, of course, the Trust is not to blame: there is just so much an institution can do, especially in a country like ours. Yet when one considers that the British National Trust claims a membership exceeding 5.4 million, while its counterpart here claims fewer than 600, one realises the depths to which scholarly activity in Sri Lanka has fallen.

That tells us as much about our people as it does about our intelligentsia. Of late, one leading institution after another has been overtaken by the pressures of politicization. Scholars have increasingly turned into yes-men. Original research has become a thing of the past. What little intellectual activity there is now is underfunded and overstretched.

If Sri Lanka is to compete internationally, it must produce scholars capable of taking it to the world. Such individuals cannot thrive in a culture that rewards obeisance and acceptance over scrutiny and critique. This does not apply to politicians only, of course; people have contributed to such a state of affairs as well. In other countries, non-specialists rarely, if ever, have the last word over experts. In Sri Lanka, however, they exercise a more formative influence on the public than do professionals. This is hardly conducive to intellectual autonomy.

It’s fitting, then, for the National Trust to have chosen someone like Romila Thapar for this year’s inaugural lecture. Professor Thapar is not just the leading historian in India; she is also one of its most outspoken intellectuals. Of late she has come out in the open, emphasizing the need for nuance and rationality in the study of history. This has earned her the wrath of hardliners, particularly those who dispute her views on ethnicity.


Romila in China in 1957




There she has had to face a situation not too different to what we are facing today. In Sri Lanka as in India, nationalist ideologues have managed to monopolize historical discussions, turning the study of the country’s past into debates over who should be determining its future and demonizing anyone disagreeing with them. Lost in such debates is the point that we are what we make of ourselves, that we invent the traditions which we believe define us, and that these must always be placed in their proper context.

The National Trust obviously has a role to play in all this. We are caught up in the midst of a severe crisis, and economic problems have taken precedence over everything else. Yet there probably has been no better time to raise these concerns, to talk about them, to debate them. This is something the Trust’s founding members, especially Senake Bandaranayake and Roland Silva, engaged in for much of their lives. It is the legacy the Trust is heir to, the legacy it bears today. If it cannot live up to its inheritance, no one can.

The writer can be reached at





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One response to “Romila Thapar & Sri Lanka’s Heritage in Today’s Dismal Context

  1. chandre+DW

    The national trust has not publicized itself sufficiently, in this age with a surfeit of information. The internet presence of the National Trust is weak and uncertain, without even a valid security certificate on its site as far as I can see.

    So the fact that “the British National Trust claims a membership exceeding 5.4 million, while its counterpart here claims fewer than 600 “, does not establish “the depths to which scholarly activity in Sri Lanka has fallen” .

    This is the first time that the National Trust has used a renowned figure like Historian Romila T, and that should help to raise its profile and make it more visible.

    It should also review its internet (in)visibility and bring it up to standard.

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