Search Results for: character
Misunderstanding Manorani Saravanamuttu’s Character in Film
A Critical Review of the Film “RANI” which is entitled “Did Rani Miss Manorani?” with the sub-title “A film that avoids the “Mannerism” of a Biopic” by Rani Bhagya Rajapakshe …. “This is only how Manorani sees Richard. It doesn’t have … Continue reading →
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Filed under accountability, art & allure bewitching, Colombo and Its Spaces, conspiracies, cultural transmission, historical interpretation, Left politics, life stories, martyrdom, performance, politIcal discourse, self-reflexivity, social justice, sri lankan society, trauma, unusual people, vengeance
Oddities in Cricket History: Moments, Characters, Statistics in Pictorial Mode
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British Satire at its Most Fertile Ferment
Edward Tew, in The Sunday Times, 7 July 2024,where the title runs this: “Farewell to the Tory clown show, a true satirist’s dream” For the last six years I’ve been engaged in a secret love affair with Jacob Rees-Mogg. This may … Continue reading →
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When Tasmin’s SKYLIGHT was performed in Colombo in 2024
Namali Premawardhana, in Sunday Times …where the title runs thus: “A timely play , where the personal and political collide” … when Studiolusion presented “Skylight” by David Hare at the Punchi Theatre on April 4-6, 2024. “I thought the play … Continue reading →
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Filed under Uncategorized
The Question Mark — It’s Intriguing History
Wikipedia The question mark ? (also known as interrogation point, query, or eroteme in journalism[1]) is a punctuation mark that indicates a question or interrogative clause or phrase in many languages. History = In the fifth century, Syriac Bible manuscripts used question markers, according to a 2011 theory by manuscript specialist Chip Coakley: he believes the zagwa … Continue reading →
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Confronting Vicious Vituperation……
A RESPONSE From Thiru Kandiah in Perth – to – A Vituperative Verbal Assault on Michael Roberts From A Person who Signed Himself as “N W Goonewardena” ** My horror of involving myself in exchanges in public fora (to participate in … Continue reading →
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Bradman Weerakoon: An Enduring Epitaph
Chandrasena Maliyadde, in DailyFT 12 July 2025, where the title reads thus: “A Man lived in Many Hearts”….. https://www.ft.lk/columns/A-man-lived-in-many-hearts/4-778880 His legacy, lasting impact, and the void have no substitutes. His loss is not mourned only by his family, relatives, or … Continue reading →
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Devika Brendon’s AVERSION is Reaching For The Skies
AVERSION is due to be launched in July 2025 …. and there are some special pre-launch offers ‘Aversion’ is a book about a country renewing and rebuilding itself. The main character is an investigative journalist, initially on assignment in Sri … Continue reading →
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“Mary’s Boy Child” conveyed in Cerebral South Asian Dance
With Thanks to FELIX SIRIMANNE extended by Thuppahiya …. for leading us to this Celebration of the Christmas Message in a Performative South Asian Mode of “cerebral’ character *************
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A Play That Explores Sinhala-Tamil Relations in 20th Century Ceylon
Jayantha Somasundaram in The Island 9 August 2024, …….. presenting a review COUNTING & CRACKING written for the stage by Sivanathan Shakthidharan and Directed by Eamon Flack …. and has this title “COUNTING & CRACKING: THE SUNTHARALINGAM SAGA” Already staged in cities … Continue reading →
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Filed under art & allure bewitching, centre-periphery relations, cultural transmission, education, electoral structures, ethnicity, governance, heritage, historical interpretation, language policies, life stories, meditations, nationalism, parliamentary elections, performance, politIcal discourse, power politics, power sharing, racist thinking, religiosity, self-reflexivity, Sinhala-Tamil Relations, sri lankan society, Tamil civilians, Tamil migration, theatre world, trauma, unusual people, world events & processes
