Curator’s Note: “Corridors of power: Drawing and modelling Sri Lanka’s tryst with democracy
What is a constitution? What place and relevance, if any, does it have in the popular imagination? Do citizens really care about an abstract document most would never have seen or read, when more pressing existential concerns continue to bedevil their lives and livelihoods, even post-war?
My struggle through curation has always been to explore the inconvenient and marginal through new or alternative ways of observing. Through visual art, theatre, sculpture, music, photography, literature, video and information visualisations, I have creatively leveraged unusual pairings and strange juxtapositions to shift complacency and apathy to critical reflection and engagement.
‘Corridors of power’ is my most ambitious curatorial attempt yet. When, years ago, I studied the process through which South Africa negotiated the transition out of apartheid rule – which involved a paradigm shift in their constitutional frameworks – I registered the use of a wide range of media at the time (before the days of social media, smartphones and the Internet as we know it today) to critically support debates amongst civil society that were as rooted in locale as they were widespread over geography. It occurred to me – with all the technological tools and platforms in use by so many today, why are constitutional reform and related debates still so alien to and removed from society in Sri Lanka – a country seven times smaller in size than South Africa, with far less identity groups and just three instead of eleven official languages? Continue reading











