Palitha Kohona, courtesy of Ceylon Today
It was another sunny September morning. The sky was a brilliant blue. As I gazed out of my kitchen window while having breakfast, in Midtown Manhattan, the Twin Towers were glistening in the morning sun. I noted, as I often had, that they were still there, a familiar reassuring sight. The cute young blonde in the apartment across the street was drying her wet hair, as usual, by her plate glass window. The walk to the United Nations (UN) and my office on the 32nd floor of the Secretariat was uneventful.

Kent Kobersteen, former Director of Photography of National Geographic
“The pictures are by Robert Clark, and were shot from the window of his studio in Brooklyn. Others shot the second plane hitting the tower, but I think there are elements in Clark’s photographs that make them special. To me the wider shots not only give context to the tragedy, but also portray the normalcy of the day in every respect except at the Towers. I generally prefer tighter shots, but in this case I think the overall context of Manhattan makes a stronger image. And, the fact that Clark shot the pictures from his studio indicates how the events of 9/11 literally hit home. I find these images very compellingÑin fact, whenever I see them they force me to study them in great detail.”
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