Bedgar Perera
Bedgar Perera
Vaishna Roy, whose article is entitled “The Hema Committee Report shows there is hope that the omertà enforced by powerful men in the film industry will be broken,” .… and has been placed in an Indian site with this Editor’s Note: “A powerful, defining moment” … with highlighting imposed by The Editor, Thuppahi
Writing in this issue of Frontline, the feminist scholar J. Devika says: “Malayalam cinema has been historically structured by feudal funding and practices, and women artistes were inevitably taken to be sexually available to the big male names.” This is true not just of Malayalam cinema, but of every film industry across the country, where the prevalent patriarchal belief is that simply by entering the world of cinema, whether to pursue a career in acting, cinematography, or make-up, the woman ineludibly signs her body away. After any complaint, a set of tabloids and television channels inevitably pipes up with the claim that “adjustment” is a part of cinema after all.
Filed under accountability, anti-racism, atrocities, chauvinism, cultural transmission, democratic measures, economic processes, education, female empowerment, historical interpretation, human rights, Indian traditions, landscape wondrous, legal issues, life stories, modernity & modernization, politIcal discourse, power politics, self-reflexivity, theatre world, world events & processes
Jayantha Somasundaram in The Island 9 August 2024, …….. presenting a review COUNTING & CRACKING written for the stage by Sivanathan Shakthidharan and Directed by Eamon Flack …. and has this title “COUNTING & CRACKING: THE SUNTHARALINGAM SAGA”
Already staged in cities in the United Kingdom and Australia, Shakthidharan’s poignant drama directed by Eamon Flack, is a fictionalised version of a Sri Lanka family’s story; but not just any family. It is the Suntharalingam saga. It movingly recounts a biography that spans four generations; and in doing so it captures and critiques not just Sri Lanka’s social and cultural history, but its political tragedy as well.
Filed under art & allure bewitching, centre-periphery relations, cultural transmission, education, electoral structures, ethnicity, governance, heritage, historical interpretation, language policies, life stories, meditations, nationalism, parliamentary elections, performance, politIcal discourse, power politics, power sharing, racist thinking, religiosity, self-reflexivity, Sinhala-Tamil Relations, sri lankan society, Tamil civilians, Tamil migration, theatre world, trauma, unusual people, world events & processes
The Ceylon Journal is finally out
On August 2, 2024, the inaugural volume of The Ceylon Journal was launched at the Sri Lanka Medical Association Auditorium. This new publication by Heritage Publications is spearheaded by young historian Avishka Mario Senewiratne, features 15 articles exploring various facets of Sri Lankan history, including politics, architecture, folklore, and more. Inspired by Charles Ambrose Lorenz’s Young Ceylon, the journal aims to deepen understanding of Sri Lanka’s heritage and inspire progress.
Filed under accountability, art & allure bewitching, cultural transmission, democratic measures, economic processes, education, ethnicity, heritage, historical interpretation, human rights, language policies, Left politics, legal issues, life stories, literary achievements, modernity & modernization, nationalism, parliamentary elections, patriotism, pilgrimages, plantations, plural society, political demonstrations, politIcal discourse, power politics, press freedom & censorship, reconciliation, refugees, religiosity, self-reflexivity, social justice, Sri Lankan cricket, Sri Lankan scoiety, Tamil migration, tamil refugees, teaching profession, theatre world, tourism, transport and communications, welfare & philanthophy
This Item in courtesy of a Peradeniya Batch-mate Nissanka Warakaulle …………..
Jagath De Silva, in The Island, 19 May 2024, where the title runs thus “A valuäble publication on the history of Dharmasoka College, ambalangoda”
This is a remarkable testament to the history and legacy of Dharmasoka College, meticulously compiled by a distinguished alumnus and former principal of the college who delves deep into the origins of the school, shedding light on its inception and the challenges faced by its founder, Mudaliyar Santiago Thomas de Silva.
Premila Thurairatnam …. Review of a presentation at the meeting of CSA (Melbourne Chapter) held on Sunday 12th Nov 2023 by Alan de Niese … with highlighting imposed by The Editor, Thuppahi
Melburnians gathered at Ashwood Hall on a beautiful spring day to listen to 3MBS presenter of ‘Wednesday Night at the Opera’ Alan de Niese. In his natural, engaging, manner he related his ancestors’ history, in particular, of George de Niese who was a well-known painter and musician in Ceylon. Alan’s Dutch ancestry dates back to 1730 when Benjamin de Niese was born. He was a soldier with the Dutch East India Company and a Scriba of the Land Court of Jaffna. George de Niese (1884–1954) was his great-great-great grandson making him the sixth generation to be born and live in Jaffna. His father James was a recognised artist in Jaffna. He was also a jack-of-all-trades who was known to be a good tailor and cobbler.
George de Niese — a self-portrait in 1944
Filed under art & allure bewitching, communal relations, cultural transmission, education, ethnicity, heritage, historical interpretation, landscape wondrous, life stories, literary achievements, paintings, performance, plural society, self-reflexivity, sri lankan society, teaching profession, theatre world, travelogue, unusual people, world affairs
Devika Brendon, in The Sunday Times, 18 February 2024
‘And gladly would she learn, and gladly teach’
My mother, Yasmine Gooneratne, passed away on Thursday night this week. She was 88 years old.
Filed under art & allure bewitching, cultural transmission, education, female empowerment, heritage, historical interpretation, life stories, literary achievements, modernity & modernization, patriotism, self-reflexivity, sri lankan society, teaching profession, theatre world, tolerance, unusual people, women in ethnic conflcits, world events & processes
SEE … https://southasianstudies.org.au/journal/
South Asia: Journal of South Asian Studies ranks as the leading academic journal in South Asian studies. It provides a forum for scholarly research, comment and discussion on the history, society, economy, culture and international relations of the South Asian region, drawing on a range of disciplines from the humanities and social sciences. South Asia publishes cutting edge, innovative, conceptually interesting, original case studies and new research, which shape and lead debates in the field.
Professor Kama Maclean: a key figure in the history of the journal
Filed under architects & architecture, art & allure bewitching, Australian culture, australian media, British imperialism, centre-periphery relations, communal relations, cultural transmission, education, ethnicity, heritage, historical interpretation, Indian Ocean politics, Left politics, life stories, literary achievements, modernity & modernization, nationalism, Pacific Ocean issues, Pacific Ocean politics, politIcal discourse, Portuguese imperialism, power politics, religiosity, teaching profession, terrorism, theatre world, war reportage, working class conditions, world events & processes, World War II, World War One, zealotry
Sent to Thuppahi by Mervyn Weerasooriya of St. Aloysius and the south of Lanka
AFTER absorbing ALL Her Dextrous Operations, Add or Send A Comment That is Funny ….. Amusing ….. Pertinent …. OR … !!! with your NAME on the Tag.
Filed under life stories, performance, the imaginary and the real, theatre world