“People were nourished by stories….” (Kathandarawalinne minissu jeewathwune) Gananath
“Man does not live by bread alone” Matthew 4:4
Dimuthu Saman Wettasinghe’s film Gananath Obeyesekere: In Search of Buddhist Conscienceopens with a bravura tracking shot moving past trees, water, a splash of saffron robes. These sunlit images are enfolded in a non-religious, rather melancholy male choral chant, but soon the singular voice of Professor Gananath Obeyesekere cuts through with a kind of Dionysian intensity. He tells us a story about Gauthama Buddha, as the camera encircles, at speed, what turns out to be the Kandy Lake. His tale is about a devastating war waged by the king of Kosla against the Sakya kingdom but of the Buddha’s unshakable belief that if folk get together and discuss matters in good faith (call it diplomacy), all wars could be averted. This carefully and deeply researched, imaginative, ‘Educational Film’ of 142 minutes, with its exhilaratingly dense overture and its subtle montage, is a loving tribute to an exemplary Lankan scholar/teacher and his life work (of some 70 years) as an internationally renowned Anthropologist.
The film shows Gananath’s empathetic ability to pay careful ethnographic attention to a variety of gendered states of mental distress and trauma and their traditional ritualised ecstatic expressions, especially with regard to women, well before some feminist scholars in the West began to be interested in the topic of ‘Women and Madness’ from a Freudian psychoanalytic perspective. Psychoanalytic theory became methodologically important for Feminist Film Theory, which I used in my doctoral thesis on ‘Female Representation in the Lankan cinema’.
“In brief, in the 1900s and 1910s the literati who engaged themselves in English drama developed no synthesizing link with the Sinhala theatre which was flourishing at the same time in and around the Tower Hall in Maradana, Colombo. The latter, as we know, had some awareness of the Western theatrical traditions [81]. Our speculative point is that the fertilizing influence, such as it was, moved in one direction only. 
Pathiraja
Ludo
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