Category Archives: life stories

The Muslim Moors in Sri Lanka: Commensality in the Moulding of Distinctive Being

Michael Roberts

The article by Wilfrid Jayasuriya on “The Force of the Moors” in Sri Lanka generated an ethnographic note which led to clarifications from Mohamed Mowzil and Ameer Ali.[1] They provided details about the practices followed by the Moor (Muslim) people in the course of meals termed sawan and kidu. This practice of feeding oneself from the same communal dish in the centre of a small table is especially marked on days of feast or collective recollection. In some instances, the family collective would include men and women. Where outsiders (usually bosom friends or distinguished personnel) are party to this intimate occasion, only males would participate in this practice.

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Sri Lanka in 1988: Experiencing ‘Ordinary Living’ in A Conflict Zone

John Richardson, whose title in this article conveying diary notes runs thus:  “Ordinary Living” in the Midst of Civil War Notes to Family and Friends“[1]  … with highlighting and pics inserted by The Editor, Thuppahi

February 1988: After getting settled in our home at number 5 Bagatelle Terrace, within walking distance of Colombo University, we have begun to fit into our neighborhood and the city.   Already we have made a number of Sri Lankan acquaintances.  Emily knows the city better because she is an inveterate walker.  She covers three to five miles each day on foot; more than any expatriates and most Sri Lankans, except the very poor.  She feels quite safe walking about during the day. We walk about at night, too, but are more careful as the streets are poorly lighted.  “Homeless” people do live on the streets here.  They are about as visible as they are in Washington, D.C., but I think the culture here is more accepting; the gap between rich and poor is much less than in America.  In fact, what strikes me about the majority of Sri Lankans, both rich and poor, is their unfailing honesty, courtesy and decency.  (The principal exception appears to be some of those who deal regularly with foreigners).  They are a considerate, friendly people – and for many, life is arduous.

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The Deep Imprint of Violence within Christianity and Islam

lisetteLisette Thooft, 18 January 2015, in NieuwWij, where the title is “Karen Armstrong: “There is nothing in the Islam that is more violent than Christianity”  .https://www.nieuwwij.nl/english/karen-armstrong-nothing-islam-violent-christianity/

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The Force of the Moors. Reflections Historical and Ethnographic

Wilfrid Jayasuriya

“The Portugese, the Saviours of our Culture?” = This is the title of a scholarly article written in the Ceylon Historical Journal in the 1950s by B. J. Perera BA (History) University of Ceylon who was our teacher in the University Entrance class. It was of course “dead against” the version given by nationalist historians after independence. However his interpretation simply put was that the Mughals had conquered Hindu India and ruled it for a couple of centuries and converted a large part of the Hindu population to the Muslim religion as had happened in countries such as Indonesia and Malaysia and the Maldives, which had been either Hindu or Buddhist. The evidence in Bali and Java of the existence of Buddhist and Hindu relics supports this view.

Mattayaas in the Gal Oya and Eastern Province interior

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SWRD Bandaranaike in Pictures ….. Social and Political

A Nomads tennis team gathering in 1926 – with young J. R. Jayewardene standing second from the left (facing); while young SWRD Bandaranaike is seated in front of him

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Andrew Fidel Fernando’s Encounters and Travels in Sri Lanka

 Arjuna Ranawana reviews “Upon a Sleepless Isle” by Andrew Fidel Fernando

Fans of Andrew Fidel Fernando will be surprised, and those who are new to his writings, delighted. The well-known Cricket writer, a returnee to Sri Lanka, has written a book, “Upon a Sleepless Isle,” in which he travels through the country, crisscrossing the island on buses, tuk-tuks, scooters and bikes. In doing so he reveals a deep love for this land and its peoples as well as its most exasperating idiosyncrasies.

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A Review of the Book BUDDHISM TRANSFORMED

Premkumara De Silva,** in The Midweek Review of The Island, 17 May 2005, where the title runs ” Anthropology of ‘Sinhala Buddhism’ “

The disciplinary identification of “Buddhism” in Sri Lanka as an anthropological object began in the late 1950s as part of a growing field of “peasant” or village studies in South and Southeast Asian societies. In Sri Lanka, the work of Gananath Obeyesekere, Edmond Leach, Michael Ames, and Nur Yalman is central to this inaugural moment. These anthropologists have identified the integration of the diverse beliefs and practices of Sinhala Buddhists within a religious worldview that is in accordance with fundamental Theravada Buddhist teachings. Within this academic exercise Obeyesekere insisted on the term “Sinhalese Buddhism” to convey the idea of full variety of religious practice, popular and esoteric, in Sri Lankan Buddhism. He argues that Sinhala Buddhism should be seen as “a single religious tradition”, and not as composed of separate “layers” to be analysed in isolation from each other.

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Australian Aboriginal Sense of Belonging … and Nawarla Gabarnmang

Christopher Allen, in The Weekend Australian, 22/23 June 2019, with this title “Timeless Sense of Belonging”

Our concept of the spirit of place has a long history. The Latin expression genius loci referred originally to the tutelary divinity of a place, within a pre-­religious animistic system of belief such as those found in many early cultures, and which often prove remarkably enduring, even in later times, coexisting with more developed theological or philosophical ways of thinking.

John Gollings’ Ancient rock art, Nawarla Gabarnmang, Arnhem Land (2015). Image courtesy Heide Museum of Modern Art

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Buddhism over Time in Colonial and Independent Sri Lanka

Abstract of Article by Ananda Abeysekara entitledBuddhism and ‘Influence’: The Temporality of a Concept” Qui Parle, 2019, Vol. 28, no. 1, pp. 1-75.

For almost three decades the concept of “Protestant Buddhism” has been the object of critique by numerous scholars such as John Holt, Charles Hallisey, Anne Blackburn, Erik Braun, Alicia Turner, Steven Kemper, and others. They claim to tell a different story about the relation between religion and modernity (“Protestantism”) in South Asia. By extension, these scholars seek to reconstruct the temporal relation between the past and the present, questioning postcolonial conceptions of history, time, and religious practice. But this story of temporality is staked on the question of “influence,” which has a genealogy that includes not just colonial, missionary, liberal politics but also contemporary legal-political questions about foreign influence on democracy and sovereignty. This article contests the ways in which the critiques of Protestant Buddhism conceptualize colonial and postcolonial forms of time, translated into universal forms of self, agency, responsibility, etc. The article argues that the question of influence, which animates parts of the story of secular ways of inhabiting time, obscures not just how the encounter with the temporality of a tradition is an encounter with power. It obscures how even modern sensibilities of inhabiting time, ironically, require coherence even as they are repeatedly said to be constituted by “heterogeneous” forms of everyday life.

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Tip-Toeing around the Artistic Work of Donald Friend

Ashleigh Wilson, in The Australian, 18 June 2019, where the title is “Gallery confronts uncomfortable truths about old friend”

Queensland’s flagship art gallery has quietly moved to reframe the debate around problematic artists by acknowledging Donald Friend’s paedophile past in a “contemporary retelling of history”.

Donald Friend’s portraits of Margaret Olley in 1948 and 1972, left, alongside other works in which the renowned artist is the subject at the Gallery of Modern Art in Brisbane. Picture: Glenn Hunt Donald Friend’s portraits of Margaret Olley in 1948 and 1972, left, alongside other works in which the renowned artist is the subject at the Gallery of Modern Art in Brisbane. Picture: Glenn Hunt

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