Camel Rider
Very nice of this Jewish artist to combat a ‘pro-Hamas bias’ sweeping across Australia through an art exhibition. …. published in The Australian Financial Review today. ………………………..https://www.afr.com/life-and-luxury/arts-and-culture/jewish-artist-says-exhibition-combats-pro-hamas-bias-20260205-p5nzuq
The watermelon represents Palestinian resistance and serves as a quiet substitute for referring to the genocide in Gaza, which Zionists claim is a legitimate slaughter rather than a genocide.
The only problem is THAT there is no ‘pro-Hamas bias’ in Australia; only a pro-Palestinian bias, and it is not really a bias but a legitimate position for any group facing a genocide supported by the pro-bias Zionist lobby.
Of course they had to have a Tehran-born photographer, but any Iranian living in the West is fundamentally anti-Iran.
Demonstrators block a street during the protest in Tehran on 9 January.
Strange how nobody refers to the ‘pro-jewish bias’ in this exhibition which will open this Sunday at the Jewish-owned gallery Goldstone [in Melbourne], one which is a propaganda exhibition. The assumption is that this artist’s position is superior.
Iranian Supreme Leader Ayatollah Ali Khamenei
I wonder if the photographs of the 300 victims will include the 2,000 police and security guards who were murdered by pro-Mossad Iranian agents in Iran, or the woman nurse burnt in a building? Those victims are swept aside in this narrative which is why it is propaganda. It is about manipulation, not a carefully weighted depiction of events. And it gets a ‘nod nod wink wink’ from the Australian government.
I haven’t seen any Jewish marches across the Sydney Harbour Bridge for the ordinary Iranians killed by Mossad agents. The reason why Iranians opposing Khamenei are called out as Mossad agents is because they are.
PS: By the way, there is no way to verify that the 300 images of injured Iranians being exhibited was due to Iranian law enforcement officers; some could be ordinary Iranians attacked by pro-Mossad Iranian thugs.
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