Michael Roberts, courtesy of Library of Social Science Guest Newsletter Series, where the title is “Australian Nationalism and the Ideology of Sacrificial Death”
Addressing the practices of remembrance in Australia as an outsider Richard Koenigsberg has recently noted the irony of a battlefield defeat, that at Gallipoli in World War One in 1915, serving a people as an emblem of nationhood: the “Australian nation, came into being [on the foundations provided by] the slaughter of its young men.”
There is yet more irony. The commemoration of Australian courage, sacrifice and manliness at Gallipoli (and subsequently on the Somme) was threaded by tropes of youthful innocence that drew on classical Hellenic motifs; while the monuments and epitaphs that were crafted in Australia to mark this event were manifestly Greek in form. The gendered masculine metaphor, in its turn, was often embodied in the seminal image of a full-bodied blonde young man. “Archie Hamilton” in Peter Weir’s classic film Gallipoli was/is one such trope (and he died of course).
Mel-Gibson-Mark-Lee-in film GALLIPOLI
“Archie Hamilton,” the ‘natural’ country boy who died at Gallipoli in the film’s typical Aussie story line Continue reading









