Dennis M. McGilvray, in an article pubd in 2006 in the India Review, vol. 5, nos. 3–4, July/October, 2006, pp. 372–393 Copyright © Taylor & Francis Group, LLC …. ISSN 1473-6489 print; 1557-3036 online DOI:10.1080/14736480600939132 … one bearing this title: “Tsunami and Civil War in Sri Lanka: An Anthropologist Confronts the Real World
Recent calls for a new “public anthropology” to promote greater visibility for ethnographic research in the eyes of the press and the general public, and to bolster the courage of anthropologists to address urgent issues of the day, are laudable although probably also too hopeful. Yet, while public anthropology could certainly be more salient in American life, it already exists in parts of the world such as Sri Lanka where social change, ethnic conflict, and natural catastrophe have unavoidably altered the local context of ethnographic fieldwork. Much of the anthropology of Sri Lanka in the last three decades would have to count as “public” scholarship, because it has been forced to address the contemporary realities of labor migration, religious politics, the global economy, and the rise of violent ethno-nationalist movements. As a long-term observer of the Tamil-speaking Hindu and Muslim communities in Sri Lanka’s eastern coastal region, I have always been attracted to the classic anthropological issues of caste, popular religion, and matrilineal kinship. However, in the wake of the civil wars for Tamil Eelam and the 2004 tsunami disaster, I have been forced to confront (somewhat uneasily) a fundamentally altered field- work situation. This gives my current work a stronger flavor of public anthropology, while providing an opportunity for me to trace older matrilocal family patterns and Hindu-Muslim religious traditions under radically changed conditions.
BEACHFRONT HOME DESTROYED BY TSUNAMI, MARUTHAMUNAI. AUGUST 2005
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SEE David Jeyaraj’s Vale ….. https://thuppahis.com/2025/08/10/in-memoriam-vijaya-kumaratunga/ … FOR the original Thuppahi version, which does not have the highlighting emphases from my hand that can be seen NOW.
