Richard Koenigsberg plus ….
Addressing the practices of remembrance in Australia, Richard Koenigsberg has noted the irony that a battlefield defeat at Gallipoli in World War One, 1915, served a people as an emblem of nationhood: the “Australian nation, came into being on the foundations provided by the slaughter of its young men.”
There is more irony. The commemoration of Australian courage, sacrifice and manliness at Gallipoli (and subsequently on the Somme) was threaded by tropes of youthful innocence that drew on classical Hellenic motifs; while the monuments and epitaphs that were crafted in Australia to mark this event were manifestly Greek in form. The gendered masculine metaphor, in turn, was often embodied in the seminal image of a full-bodied blonde young man. “Archie Hamilton” in Peter Weir’s classic film Gallipoli was/is one such trope (and he died of course).
